Florence for Writers … Ten Personal Recommendations

I have been mulling over what to write about my recent trip to Florence, so much, too much… and then I realised I couldn’t do better than write the kind of post I wanted to read before I went. It was my first time, and I had the list of all the things I should do, but I was looking for personal suggestions too. So here are my very personal TOP TEN THINGS FOR WRITERS TO DO IN FLORENCE…

L1070114

 

1. EAT SOMETHING NEW. And where better to try than Florence. Not just ice creams either, visit one of the food markets, such as the San Lorenzo Mercato Centrale, and browse the stalls. Or join an excellent food tour, I spent a lovely morning with Sam from Florence for Foodies and enjoyed new tastes, got told good stories, and met some really nice people. How else would I have learnt that Grappa comes in spray form ! Our best restaurant find though was the Trattoria Sabatino – inexpensive pasta, wine and lots of friendly locals.

IMG_4893

 

2. PEOPLE WATCH. If you can drag your eyes away from the treasures at the Uffizi, it’s worth watching the tour groups too. We were gripped by the real battle going on between two different ones when we were there as they struggled to get prime position in front of the masterpieces. Almost as much of a victory for those who got to the front as this lunchtime tripe stall.

L1060996

 

3. WALLOW IN THE SENSES. Smells first… There are some amazing farmacias in every street it seems, but we loved the choice of natural perfumes at the Farmacia Munstermann, I came away with Tabac, nice and earthy and just a bit addictive.

L1060880

 

4. STATIONERY PARADISE. Again many many paper shops, but my favourite has to be Il Torchio … the perfect place to stock up on journals and happiness, both of which are hand made on the premises.

IMG_4915

 

5. RING ALCHEMY. It’s not a word to be used lightly in Florence, but I’m convinced that the jeweller, Allesandro Dari is a genius. A visit to his workshop and showroom is a must for firing up the imagination.

L1060626 L1060622

 

6. VISIT A GARDEN. Well, of course! Boboli Gardens is a must and do make sure you are around for the scheduled opening of the grotto (normally on the hour).

L1060499

 

But one of the highlights of our whole holiday was a visit to Villa Gamberaia, just a bus ride (No 10 from San Marcus square) away. A magic dreamy garden from which to view Florence from a different angle.

IMG_4938

 

7. ROOM WITH A VIEW. There are plenty of chances to see Florence from up high. TAKE THEM ALL! Climb the Giotto’s Campanile and the Duomo. Walk up to the Piazzale Michelangelo. Stop on the bridges at dusk. Visit the Bardini Gardens. Have your picture taken with Florence behind. Try not to look nervous in case you fall backwards…

 

L1070038

L1060443

 

8. WRITE PICTURES. Everywhere we went, we came across art and architecture students drawing details in their notebooks, so I started to do the same. Too much, too much… until I took Anne Lamott’s advice and remembered her advice to use a two inch window frame to look at just a bit of the overall picture. Amazing how much more I noticed when I was writing the details. Just look at the expressions here – a whole novel surely?

L1060894

 

9. STORIES, STORIES... And once you notice the details, you can’t stop seeing more and more stories you NEED to write. This is from the Boboli Gardens.

IMG_4849

 

10. READ! A visit to the Biblioteca Laurenziana is a must, and not just for Michelangelo’s stairs. Just imagine working here, the books laid out for you…

L1060934

 

But here’s our guilty secret. We also loved the Reading Room at the Gucci Museum, with shelves of art and design books to drool over while we had a necessary cup of pick-up tea.

IMG_5008

Enhanced by Zemanta
Share

How do you start a novel?

This is something I’ve been thinking a lot about as I prepare to go to possibly one of most beautiful places in the world with a group of writers planning to do just that. Having written three novels already, I should have the answer off-pat, but the truth is that each of my novels started in slightly different places, and I would find it impossible to pinpoint the moment they entered my dreams, although I could tell you exactly when I realised – AHA! – that they contained enough juice to sustain a whole novel.

This is when three things crystalise and come together in the middle of my ‘dreamy this could be a novel’ state – an abstract emotion I know I want to capture, a character that won’t stop talking to me and whom I’m interested enough in to spend at least a year with, and a question I want to answer for myself. So Something Beginning With was a) emotion – longing, b) Verity (who had been a fairly minor character in one of my short stories) and c) what happens when someone won’t admit their true love is actually their best friend. My second novel Tell Me Everything was the result of the connections between a) emotion – longing (hmmm… pattern here?), b) Molly, who epitomises for me the pain of someone who has always been told (and now believes) that they cause bad things to happen, and c) what happens to the other people around when someone decides to make up their own story. And lastly Getting the Picture was a) emotion – determination to have a second chance, b) hard to say who my main character was here – Martin and George share it for me, and c) a question I was asked and which I still think about – are you ever to old to cry over love?

I should also add a fourth thing – and this is that I have a very clear visual picture of my ending before I begin. However, it should be said that I’ve never used this particular image – yet – but it helps me to at least feel I have a destination in mind, particularly in the lost winding loooonnngggg roads in the middle….!

And here are some extracts from published interviews with other writers about how it worked for them. They are mostly taken from Glimmer Train’s great sister publication, Writers Ask, and then I did what I increasingly do these days, I ‘Asked Twitter’…

Carol Shields: “I develop as I go. I have a structure in mind, though. I always see the structure before I know what’s going to be in the structure, and it’s a very physical image that I can call up, just the way you would call up an image on your screen…. But for each novel I’ve had rather a different structure, but its been important for me to have that. But I don’t know where it’s going. I don’t fully know the character of my main character when I start out. So that character opens for me exactly as it opens for the reader, piece by piece, layer by layer.

Q: And you don’t know the whole plot when you are starting?

CS: I don’t know the whole plot. Sometimes I know where I want to go to, I just don’t know how I’m going to get there, and this can be frightening for a writer… Most writers do say that while they are in the state of writing a novel, or as Dorothy parker used to say, ‘undergoing a novel’, your antenna are up somehow. And so you are catching all sorts of things that you might not catch if you were not in the process of writing a novel, and some of these experiences seem to be uniquely offered to you. It’s as though your whole world is suddenly available to you to use.

Ha Jin: Usually with a kind of feeling triggered by an event or something that will bother me. That’s the best situation. If something bothers me, I have to write about it in order to let the feeling out. That usually produces the best outcome. But stories don’t always come that way, especially with a novel. It may start with an event or a feeling but down the road there will be a lot of labor and research, depending on how much energy I have and how stubborn I am.

I always know the main direction of the story. Otherwise, I will waste a lot of time. Without an ending, I can’t start a story. Sometimes I plan an ending; it needs to be revised later on. But from the very beginning I need a sense of the direction, or I’ll be groping around without knowing where I’m going. (WA, 33)

Jayne Anne Phillips: I work according to language. I work starting with language, so that my process is simply to work my way into the next sentence. Sustaining the voice of a book is level one, where I have to stay to move forward. I work very slowly, until I find my way into the middle of the book and I know what to write next by reading what I’ve already written until I know where to go next. (WA, 30)

Elizabeth Cox: With a novel I might have several situations, and some idea is driving me: the killing of a brother, the break-up of a family, the friendship between a black girl and a white girl and the difficulty they have bringing that friendship into their adult lives. So the novel form has a larger problem that drives me.

Sue Miller: Usually (ideas) come as a vague notion, an idea of what I want to be talking about. Then I begin to imagine situations which would convey that idea or contain it, and then I begin to people the situations with characters. It starts abstractly for me, but it happens closely together. I’m not pondering an abstraction for a long time. One comes on the heels of another, but it’s the idea that interests me first.

There’s always been some level of research in every book that I’ve done. For The Good Mother, I did a lot of research about contested divorce cases, which I didn’t know anything about, and the civil institutions that deal with custody issues. I read a lot of trial transcripts, and went and sat in on some civil cases – you can’t sit in on custody cases – just to get a sense of the courtroom. There are usually things that I have to learn. It gets me out into the world, asking questions about characters’ lives. (WA, 28)

Charles Johnson:
The engine of fiction is character. Everything comes out of the people. All you have to worry about is knowing who they are. This may involve research. You must know your characters and their situations. If you are faithful to how they would respond to things and you don’t treat them as puppets to illustrate your own ideas, they you’ll have revelations and you’ll have a story or a novel.’ (WA36)

Edward P Jones: (With ‘The Known World’, he started with twelve pages, six were the beginning chapter, and the other six pages were the final chapter’ ) I knew it was going to be a novel. I just had to work out what the resolution would be. In so many things you read, the resolution isn’t quite there.

Amy Bloom: I spend a lot of time looking out the window, walking around the house, watching daytime television, talking to my friends, going to the grocery store. There’s probably material anywhere you look. Everybody’s lives are full and mysterious and unexpected. It’s just a question of whether or not you’re paying attention, whether or not you want to stand around long enough to let them tell it to you, or imagine it. (WA31)


And then I asked writers on Twitter about how they got started, here are some of their answers:

@word_seeker “how do you start writing…” sometimes an object sparks an idea; where it came from; who owned it..

@emmi_elina For me, it’s ‘What if there was a world in which…?’ The world comes first and brings the characters and story with it.

@virginiamoffatt The one I’m working on started with me always imagining ghosts in the house we lived & then wondering what they’d say…

…and seven and a half years later, kind of amazed by what’s come out of that one thought…(still unfinished though!)

@JaneRusbridge With an image of a character – like a snapshot – which won’t go away, and comes with an accompanying emotion, again and again

(I asked Jane if this image was always the main character..)

@JaneRusbridge No. Not a known character at that stage, but with both novels, did turn out to be main character. And image grows into a scene.

@SteveHimmer An image or scene, usually meant as the start of the novel but by the time the story earns it, that scene has become the end.

@belledelettres usually with something that makes me so angry I have to write about it.

@RussellScott3 Different novels need to start different ways. The purpose of the novel determines how it’s arrived at.

(I asked him what the “purpose of the novel” might be…)

@RussellScott3 I came to the novel by way of screenwriting, so you are given essentially a task by the films producers and you write to that.

@ruthwarburton usually an idea or a scene that’s sticking in my head that I want to write.

@ScorpioScribble A ‘what if’ and a character (or characters) who won’t stop talking to me!

I’ll write more about some of the themes and exercises we’re going to be covering next week later, but I hope you find this round-up as fascinating as I do, and of course, do let me know how YOU start your own writing, is it with an emotion, image, nagging question, character…? I guess what this proves is that part of the joy of writing a novel is the puzzle of working out the answers for yourself!

Share

What Something Beginning With is all about…

Hello to all of you who have come via Neil Gaiman’s blog. Well, hello to everyone, of course, but the blog stats suggest there are lots of new visitors today. Please say hello, or at least give me a wave in passing …

And let me tell you a little about SOMETHING BEGINNING WITH which is I hope what you have clicked through to hear about.

First of all, if you have come here from America, it’s called The ABCs of Love. It’s the same book, just a different title. I’d hate for you to be disappointed. I have written other books, I just don’t write the same book again and again and call it different names. Honestly.

ANYWAY…. Something Beginning With started as a short story, based on the alphabet. Twenty six bite sized chunks of the story, one for every letter of the alphabet.

But then I kept on writing just for fun until I had 18,000 words. Hey, I thought, why not try to turn this into an actual novel. Keeping to the alphabet format, keeping to the bite sized chunk form. The story developed and I even managed to add some subplots into it. Here’s a section from the letter B:

B
Baked Beans

My grandmother on my mother’s side was a young girl in Liverpool during the war. She can still remember the night the Heinz factory was bombed and how for days afterwards the city smelled of cooked baked beans. It made them even hungrier than they were already.
Her mother — my great-grandmother — once spotted an unexploded bomb caught in a tree near their house. For hours she ran around getting people out of their houses and down to the shelter where my grandmother was hiding. My great-grandmother wheeled the sick down, helped mothers with little children and reassured the elderly.
She must have saved many, many lives that night, so I can’t blame my grandmother for still being annoyed, years later, that they didn’t give her mother a medal for her bravery. Instead, they have it to the lady who was in charge of making the tea.
See God, Mystery Tours, Noddy

Best Friends
At the age of twenty-five, my best friend Sally has become the mistress of a millionaire called Colin. This was not something that normally happens in our town. Just in films. She has given up her job, her nights out with the girls and living in her studio flat. Because Colin has set her up in a flat near his office, she has taken a lodger to pay the mortgage on her own flat. And all without a backward glance. Recently she spent five hours trying to find a dressmaker who was prepared to pick her jeans apart by hand and re-sew them so the tight seams would make no marks on her skin when Colin pulled them down. We are no longer such good friends. She says she can’t bear the way I look at her these days.
See Danger, Friends, Influences, Ultimatum, Yields, Zzzz

Blackbirds, Robins and Nightingales
Sometimes it is hard to distinguish between how you sound in your head and how other people seem to hear you.
For instance, I have noticed that I can make what I think it a perfectly pleasant comment but it can still cause offence. I do not mean to have a sharp tongue; it is just the way the words come out.
Perhaps it is because I have such low self-esteem and do not think of myself as someone like Sally, for instance.
Personally though, I blame the nuns. At the convent school I went to, we were split into three groups for singing. There were the Nightingales who could sing beautifully, the Blackbirds who were all right, and the Robins who were what Mother Superior called ‘orally challenged’. I was one of only three Robins in the whole school, although I had a cold at auditions so it wasn’t really fair.
The Robins were hardly ever allowed to sing in public and particularly not if the song was anything to do with God. We had to mouth along instead, which got very boring, and sometimes it was hard to kept the words in. Once, an unidentified Robin joined in with an especially loud and lively Hymn, one we all loved.
In the middle of our Lord stamping out the harvest, Mother superior held out her hand for silence.
‘Hark!’ she said, raising her other hand to her ear. ‘I can hear a Robin singing.’ Everyone looked at me.
That moment has always stayed with me. One of the things I hate most about myself is the way I blush in public even though I’m not necessarily to blame. It is the same feeling that makes you itch every time anyone talks about fleas.
See Captains, God, Outcast, Voices

Blood
It used to be a craze at school to scratch the initials of your boyfriend into your arm with a compass and squeeze the skin until the blood came up. Then you’d rub ink over the graze so you were tattooed for life. Luckily it rarely worked.
Once I was doing it with Sally, but as neither of us had a boyfriend at the time, we just dug the compass randomly into each other’s arm. It made me think of the time I punctured my aunt’s favourite leather sofa one Christmas with the screwdriver from the toy carpentry set I’d got from Santa. I did that again and again too.
It was Sally’s idea to mix the blood drops together. She kept flicking her cigarette lighter and we sang ‘Kumbaya’ as we did it to make it seem more meaningful. Sally said that were sisters now and nothing could separate us, not even a boy.
See Codes, Mars Bars, Vendetta, Yields, Zzzz

Bosses
The only trouble with my job is the bosses. My current one is possibly the worst I have ever had. He is called Brian. He is from Yorkshire and has a short bristly beard which he is always fondling and if I don’t manage to look away, I can sometimes see his little tongue hanging out, all red and glistening.
Brian won’t leave me alone. He seems to think we have a special relationship. He’s always telling me that I mustn’t mind if he teases me, that he does it to everyone he’s fond of. ‘It means you’re one of the family, Ver,’ he says, putting his arm round me.
It’s funny though that while Brian is always standing too close to me, when it comes to work he likes to dictate his typing for me into a machine, rather than face to face. He’ll leave little messages to me which means I have to hear them twice. Once he said into the machine: ‘so I called across, ‘Thank you, Brian’ and he told me off for spoiling his dictation. He said he’d have to start again now. I left the room and when I eventually listened to his tape I noticed that this time he didn’t say I looked nice.
Another time he dictated a rude joke to me. A man in an office asked to borrow another man’s Dictaphone. The other man said no, he couldn’t. He should use his finger to dial like everyone else.
I listened to this through my headphones with a stone face because I knew Brian was watching me, hoping I would blush.
See Ambition, Zero

Boxing
I didn’t tell Brian that Sally and I had started going to a Boxercise class at the local sports centre. It would only have turned him on.
I wasn’t very good at first. The instructor was American, a big man with a ponytail he was too old for. He followed me over to the punch bag and shouted out loudly that I was too much of a girl to box. He said it was because I was English and had been brought up to be polite. ‘Who would you like that punch bag to be?’ he asked. ‘Who really pissed you off?’
I couldn’t think of anyone. I wouldn’t really want to hurt Brian, even. Anyway, I told the instructor that I was half Irish. On my mother’s side. He said in that case I definitely had to hit harder. Harder, harder, harder. Eventually, I swung at it so hard that I kept on spinning even though I’d thrown my punch. The instructor clapped me on the back and called me a champ. He even started to sing ‘When Irish Eyes Are Smiling’.
Sally and I couldn’t stop laughing afterwards. When we went for a drink, I noticed that we didn’t hang back as we sometimes do at the bar. We made sure we got served straight away and then we took the best seats in the pub. When a man came to talk to us, Sally didn’t flirt and throw her hair over her shoulder. She told him straight to go away. That she wanted to talk to her friend. ‘You gave it hell, Verity,’ she kept on saying, toasting me with her beer. ‘You gave it hell.’ The next day, I walked sharper, straighter. As if I wasn’t a girl at all.
See Gossip, Lesbians, Moustache, Weight

Verity is the first person narrator of the story. And everything is going sort of well until she meets John:

John
I can’t wait to tell Sally.
The most amazing thing has happened.
I have fallen in love. I feel glowing. I feel fantastic. I have just walked down the street and everybody smiled at me. Men whistled at me. I feel like a goddess. I look down at my arms and my skin looks as if it has sprinkled with diamond dust.
Everybody is so much nicer, funnier, prettier. And so am I.
His name is John.

K

Kate
John has a wife. Sally told me first. Well, she didn’t know exactly but what she was if he e-mails you from work, he is married. If it is always him who has to call you, he has children. If he doesn’t have any hobbies, it is because he has a family life, not no life.
I asked John but he was going to tell me anyway. Straight after we talked about it, he asked me to tell him a joke, so I believe him when he says being married isn’t a problem.
‘Two parrots were on a perch,’ I said. ‘One said to the other, “Can you smell fish?”’
Sally told me this joke. It made everyone else laugh but I can’t really understand it. I think it might be surrealist. When I asked John this, he told me I was funny and he loved me. He couldn’t tell me why that should surprise him so.
John’s wife’s name is Kate. I don’t like the way they’re next to each other in the alphabet. My name is Verity so I’m right at the end, out of the way.
He doesn’t love her. He never has. They are together just for the sake of the children.
See Women’s Laughter

And the novel continues to develop until Verity finds her own particular way out of this particular relationship. Or at least until the alphabet ends.

This structure was amazingly interesting and exciting to do. When I was a kid I used to love those books where you would suddenly find a message in the text: If you would like xxx to happen, turn to page xxx, but if you would like xxx to happen, turn to …. Remember those?

So in the extracts above, you will see the footnotes. I designed the book so that it was possible either to read straight through and ignore them. OR you can follow the footnotes around and read a completely different novel. There’s even a reading index at the end:

Reading Index

Animals Ants – Blackbirds Robins and Nightingales – Dogs – Elephant’s Egg – Indecent Exposure – Revenge – Tornados – Vacuuming – Zoology

Body Blood – Breasts – Ears – Foreheads – Glenda G-Spot – Hair – Indecent Exposure – Mirrors – Moustache – Nostrils – Rochester – Startrite Sandals – Thrush – Visible – Weight – Withdrawal – Wrists

Colin Best Friends – Colin – Foreheads – Jealousy – Love Calculators – Rochester – Sculpture – Sex – Ultimatum – Why? – X-rated – X-ray Vision – Yard – Youth

Deceit Dreams – Elephant’s Egg – Engagement Ring – Horoscopes – Lesbians – Mars Bars – Memory – Mistaken Identity – Money Even More of It – Mystery Tours – Nursing – Old – Phantom Emails – The Queen II – Utopia – Withdrawal

Entrepreneurs Ambition – Best Friends – Firefighting – Kisses – Money Even More of It – Objects – Promotion – Ultimatum – Yields – Zest

Fathers Ambition – Ants – Houses – Illness – Lust – Mistaken Identity – Orphans – Outcast – Poverty – Routines – Thomas the Tank Engine – True Romance – Voices – Women’s Laughter – Xenophobia

Gastronomic Baked Beans – Crème Caramel – Elephant’s Egg – Ice Cream – Liqueur Chocolates – Mars Bars – Oranges

And so on.

It was a fascinating structure to work with. And so so hard to get right. I won’t deny it. During the time I was writing it, I would wake up throughout the night and scribble things on the pad I kept by my bed. In the morning, I’d find notes such as Xylophone, Vengeance, Ice Cream. Freud would have had a field day.

One of the main problems I had was that, because of the type of character Verity was and because of the relationship she was having, not one of the entries before J (for JOHN) could mention him BUT not one entry after she’d met him could not. Also it is no coincidence that John is next to his wife, Kate in the book – as Verity says: ‘ I don’t like the way they’re next to each other in the alphabet. My name is Verity so I’m right at the end, out of the way.’

Something else I put into the book (although I don’t want to tell you everything – please read it! See I’m shameless this time round!!) is
based on what I have noticed and loved in novels – which is that first line of the novel corresponds with the last. Have you noticed how many that works for? I’m going to do a list soon. And my novel is mostly about female friendship, in this case Verity’s real love for her friend Sally. And so the first three words are: ‘My best friend’s …’ and the last two words: ‘Just Sally.’

But as I’ve been banging on about, of course you can read it in every and any way you like. Amazing what you can do with the alphabet!

I hope you will buy it, but most of all, I hope that you enjoy it. But most of all, thank you for stopping by.

ps I will do notes for book clubs if you like, or skype interviews if I can, or if you live somewhere nice in the UK and are willing to pay my travel and expenses, why not ask me along!

Share

Five Ways to Trick Yourself into Writing When You Don’t Want To

I have come to think of my writing self as a little self-centred, more than a little childish but luckily easy to confuse, so here are some tricks I’ve played on myself to get those words onto paper.

1. Give yourself a word count for the day and keep to it.

Depending on your own process, it may be 200 words, 500 words, 1,000 words, 2,000 words, but make a pact with yourself that this is the amount you are going to do every day.

No matter what else happens.

The secret is not in fulfilling it (after the first few days) but stopping when you’ve reached it. There will be days when you want to go on and on writing, but making yourself finish at the exact word count – even in the middle of a sentence – will send you back to the page the next day. And then the next.

2. An alternative to a set word count is to do what Hemingway is reported to have done, and deliberately finish mid-sentence.

It sounds daft, but it really does make it much easier to get into the work the next day. I’ve seen it called, Parking on the downwards slope. A phrase that sums up the perfect picture for me.

3. Have a soundtrack to a particular piece.

This is what I have done for every novel so far. It helps me get into the voice of my character, and the mood of the book.

Because it’s the same song every time, I soon stop listening to it but having it in the background, lets me sink straight into the writing.

4. Ask questions.

After you finish writing for the day, write yourself a question for the next bit of your project. Or your new project. Then when you come back to your desk, concentrate on the question you’ve set yourself. The writing will come naturally.

5. Use a mixture of carrot and stick.

Put away all the things that distract you – facebook, twitter, emails, the phone, today’s crossword – until you have written as much as you have set yourself for the day.

And then enjoy them with your full attention. Plus some chocolate, or a glass of wine, or whatever rocks your particular world.

Read also:

* FIVE WAYS TO WRITE MORE

* READ ME

* WHAT KIND OF WRITER ARE YOU?

Share

FALLING IN LOVE WITH WORDS


Now we’re getting to know each other, let me share five of my deepest secrets with you
….

Shhhh….

Bulbous

Grace

Looming

Filch

Pettifogger

Wow. Do they make you smile without meaning to? Your stomach turn over and the butterflies to start jumping? Can you feel them in your mouth already? Aren’t you just longing to use them in your next sentence?

No. Well, probably not because they’re my words. And just as we are all different types of writers, so we have our own secret words. So what are yours? Make a list of five words you can hug to yourself next time you face the blank page. The words that are just for you. Imagine them lining up behind you, on your side with their crossed arms and snazzy sunglasses. Or maybe they’re in the bath, scenting and primping and beautifying themselves, waiting for you to finish your ten minutes writing for today.

Fall in love with words. And most of all have some fun with them. Learn that words aren’t your enemy, and that your job isn’t just to march into a certain place in the sentence before forgetting all about them. Yes, some words are useful soldiers, but the special ones? They’re just temptresses. Enjoy.

Also see:

* WHAT KIND OF WRITER ARE YOU?

* FIVE WAYS TO WRITE MORE

Share